August 18th, 2012 at 12:28PM
blackcontemporaryart: Creole Madonna, Annalee Davis, 2002 “Creole Madonna asserts a current, hybrid Caribbean where identity is plural and interior space multi-cultural. The simply defined self cannot ever fully contain who we are - thus the need to evoke a multiple identity. This work opposes a fragmented status and insists that despite racial, ethnic, religious, generational and all other diverse specificities, there is a shared identity - a hybridity, unconsciously “lived” by millions, both in and outside of the region.”

blackcontemporaryart:

Creole Madonna, Annalee Davis, 2002

“Creole Madonna asserts a current, hybrid Caribbean where identity is plural and interior space multi-cultural. The simply defined self cannot ever fully contain who we are - thus the need to evoke a multiple identity. This work opposes a fragmented status and insists that despite racial, ethnic, religious, generational and all other diverse specificities, there is a shared identity - a hybridity, unconsciously “lived” by millions, both in and outside of the region.”

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    Creole Madonna, Annalee Davis, 2002 “Creole Madonna asserts a current, hybrid Caribbean where identity is plural and...
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98 notes Source: blackcontemporaryart
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